One important reason to why the 80s (and a part of the 90s) sounded like it did, was the presets on synthesizers like the Yamaha DX7 and Roland D-50. Basically, as synthesizers became more and more difficult to program, musicians turned to presets instead of making their own sounds, like people did on the older analog synths.

The result was that a lot of the music in the 80s sounded pretty much alike. I’m not saying that it was bad music, since the 80s was awesome, but I guess everyone can agree that the DX7, for example, was a bit over-used.

But then came the 90s, and a reaction against the ”one button and a tiny LCD screen” trend. One of the best, earliest and probably BIGGEST example of this was the Roland JD-800, which was released in 1991. A huge synth with a huge amount of sliders. And later came the Yamaha CS-1x, Yamaha AN-1x, Roland JP-8000 etc. Everybody had knobs and sliders again, and the neo-tweaking could begin.

What I felt when knobs came back bigtime in the late 90s was ”I’m never gonna degrade myself by using a preset ever again”. So I, like the rest of the world, started making analog filter sweeps 24/7, and I loved it.

But in the last couple of years, I have started to like presets again, and when I buy an old synth from the 80’s or 90s, it is its presets I choose by. One of the things I like best is to listen to the tons of presets on the excellent www.synthmania.com, and then decide what synth I’m gonna go hunt for.

Actually, nowadays, I feel that it is a kind of an obligation to use presets as much as I can. That way, I feel that the synth ITSELF plays a bigger role in the music I make. And the Japanese engineer who programmed the preset, of course. When I’m using my Korg Wavestation for example, I never change a preset, even if it’s pretty easy to do it with editing software. 

20 years from now, when people listen to today’s electronica and its self-tweaked sounds, will they be able to hear what synth was used, or will they say ”probably some VA synth or one of those millions of VST synths those idiots used back then”?

Some presets the world will never forget (from the AWESOME synthmania.com)

E.Piano 1 (Yamaha DX7)

Digital Native Dance (Roland D-50)

Soundtrack (Roland D-50)

Organ2 (THE house-bass from Korg M1)

Pizza Hutt (The Roland JD-800 also had some famous presets, despite its sliders)

2 questions : Do you agree with me on this and whats your all time favourite synth presets?

This is the MK-101, a customized MicroKorg inspired by the Roland SH-101. Its demoed in this clip by Polaroids Of The Pyramids. The work has been performed by Custom Synth and looks awsome!

KORG hits the news with this thing.  Its supposed to be more powerful and flexible than the previous Kaossilator. Read the full press release.

PRESS RELEASE: Announcing the KAOSSILATOR PRO – a powered-up version of the palm-sized KAOSSILATOR, reborn as a powerful track-making tool and loaded with live performance power.As a trailblazer among the "instrumental gadgets" that allowed anyone to easily create melodies and phrases, the KAOSSILATOR gained a strong and dedicated user base, even among those without any performing experience. Today, the KAOSSILATOR continues to be enormously popular. Retaining these revolutionary features – while adding a wide variety of new ones as well – the KAOSSILATOR is now reborn as the new KAOSSILATOR PRO. With 200 sound programs, a new Electribe-inspired gate arpeggiator, and four loop recording banks that can even record external audio sources, the KAOSSILATOR PRO is packed with features that make it ideal for live performance. In addition, USB connectivity with your computer and SD card memory storage allow the KAOSSILATOR PRO to be used not just for improvised performances, but also as a superbly intuitive, track-making music production tool.Intuitive X-Y touchpad lets you perform complex phrases with one fingerUsing touchpad is highly intuitive – simply rub, stroke, or tap it to instantly create gestures that were difficult to produce on synthesizers of the past. Horizontal motions control the pitch, while the vertical axis can control tone parameters such as cutoff, feedback, or modulation depth. This makes it easy for anyone to create entirely original sounds and musical phrases.Two hundred exciting sound programs covering synths, drums, and acoustic instrumentsThe Korg synthesizer technology acclaimed by top musicians around the world has been carefully distilled into the KAOSSILATOR PRO. The versatile array of pro-level sounds covers all styles of dance music including techno, house, breaks, hip hop, R&B, reggae, and electro. There are also numerous acoustic instruments such as piano, trumpet, and guitar, providing a further boost to your expressive resources. You can assign your favorite programs to the eight Program Memory buttons for instant recall, ensuring that your live performances will be smooth.Extensively enhanced drum soundsRhythm can be the most important element when creating a phrase. In addition to the modeling synthesis borrowed from the original KAOSSILATOR, the KAOSSILATOR PRO provides a new PCM sound generator as well, allowing even more realistic drum sounds. There are twenty different one-shot sounds for kick, snare, and hi-hat etc., as well as twenty-five rhythm loop patterns that will be immediately useful in dance music styles.Vocoder programs for creative audio effectsThe KAOSSILATOR PRO features a mic input jack and fifteen types of vocoder programs, making it easy to achieve unique sound effects, create robot voices and unique more.Thirty-one scales for musical expressivenessThe thirty-one types cover a range from chromatic scales to major, minor, blues and beyond. By specifying a scale and key, you can use a single finger to play perfect melodies and phrases that would be difficult to play even on a keyboard. There are also special scales such as Spanish, Ryukyu, and Raga, letting you play phrases that have a distinctive atmosphere. Another boost in expressive power is provided by the new Note Range function, which lets you specify the

Too bad they are in japanese, but the Youtuber baward has put up some rare clips from the Korg museum in the 90's. Even if you don't understand japanese, it's pretty nice too see all those lovely Korg synthesizers. Check out baward's channel to find all ten clips.

Here's one of them, featuring the Polysix and Mono/Poly

Yotube via baward

Note: Can't someone translate and subtitle them? It seems that the guy talks a LOT about the synths. A LOT.

MS-50, MS-20, MS-20, SQ-10, that's all you need.

Youtube via Newueel